Next Meeting:
October 24, 7:00 PM - Virtual
Subject:
Finding Drama in Architecture
So why do I photograph architecture? A
building’s dramatic form narrates a story, and I look to reveal this
narrative in the buildings I photograph. Some structures are simply
monumental forms—a monumentality that must be conveyed through the
image. Other forms are mysterious. Their tales are present but
elusive to our sensibilities. Something is hidden behind the facade,
and contrast brings out the impact of the forms and their
sensuality. Since structures are made to be used and provide context
to people’s lives, I try to create an image that resonates with the
narrative of human life.
Speaker: Henry Rinne
Bio:
In 2018, Henry Rinne retired as Dean of the Stein
College of Fine Arts at Jacksonville University in Jacksonville,
Florida, after a forty-year career in higher education. Prior to his
move to Florida, Henry was a dean and faculty member at the
University of Arkansas-Fort Smith for 35 years. He earned his Ph.D.
in comparative arts at Ohio University and also holds degrees from
the University of Tennessee, Knoxville. His interest in photography
began when he watched prints emerge in the developer in his father’s
dark room. Black & white has always been his primary focus in
landscape, architecture, nature, and portraiture; however, he loves
to find dramatic colors in the landscape and has started
experimenting with infrared. Rinne has exhibited in Arkansas,
Tennessee, Florida, California, North Carolina, South Carolina, and
New York. His work has been published in books and magazines
including Downbeat, Lenswork #168, (June 2024), and
Lenswork’s Our Magnificent Planet (2020 and 2021) and
Light Glorious Light (2023). Henry is a member of Cary
Photographic Artists and serves as Exhibitions Chair. He considers
the wet darkroom a wonderful learning experience, but digital
capture and processing have supplanted any interest in “souping”
film and dealing with hypo-stained fingers
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